The reason why the market value of Chinese painting is so low at present is the opportunity of Chinese history in the past hundred years. Since the decline of the late Qing Dynasty led to the invasion of the eight-nation coalition forces; after many hardships, the reactions of the Republic of China overthrew the Qing government, but the warlord separatist scene led to the Northern Expedition War; following Japan's invasion of China, the people experienced a painful eight-year war of resistance; followed by the civil war between the Kuomintang and the Communist Party until the founding of New China; after the founding of New China, it was not a good thing or a tortuous affair, during which there were ten major cultural reactions. Annual catastrophe.
Over the past 100 years, the Chinese people have been living and working in peace and contentment, in upheaval and in turmoil. Even food and clothing are a problem. Art that belongs to spiritual enjoyment is naturally ignored. The cultural reactions have artificially depreciated the traditional Chinese painting art, making the market value of Chinese painting at a very low historical level after the revolution.
It was not until the 1980s when China pursued the policy of reform and opening up that the market value of Chinese paintings returned to the rising track. From 1980s to 1990s, the rising market value of Chinese paintings was mainly driven by local Chinese funds in Hong Kong, Taiwan and Southeast Asia. At the end of 1990s and the beginning of the new era, the driving force of the rising market value of Chinese paintings was driven by China's growing economic power.
If the market value of Chinese paintings began to rise in the early 1980s, it is only at the initial stage, and there is still a long way to go before the market value should be restored. In fact, the enduring motive force for the appreciation of high-quality Chinese painting is not only the relationship between supply and demand, but also its own real value.
In fact, the fine Chinese painting has been paid attention to since ancient times, and it is very valuable. The so-called paper is worth ten thousand dollars, not empty words. Emperors and officials of all dynasties regarded the fine works of calligraphy and painting as important assets, and the people in the workshop also took the famous calligraphy and painting as their heirloom treasures for generations to collect. The reason why Tang Bohu can live so smartly is that his works are cherished by people of high rank and high value because of their valuable articles.
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