In his works, the painter used various techniques to show his superb control over the brush and ink: for example, the Tibetan monk's robe and the black dog's ink splashing modeling; the woman's torso, head and limbs were all drawn with hard lines carved like knives; the face and hands were painted with light cinnabar; the fur, cuffs and hem of the overcoat were all depicted with flexible lines. The top and bottom titles are designed to enhance the taste of image The contrast between black and white, the contrast between red, the contrast between abstract and detail, the contrast between speckled ink, the contrast between hard lines and soft images, achieve the unity and harmony of format.
From the formation of "Chang'an painting school", Zhao Wangyun laid the foundation stone of "Chang'an painting school", and shaped the basic characteristics of "Chang'an painting school". His artistic view and painting style had a subtle influence on Xi'an painters.
Rich techniques show the interest of the characters, changeable ink serves the theme of the picture and the idea of truth, goodness and beauty. These bold and original technological breakthroughs add a bit of strangeness and boldness to the original simple and kind Tibetan girl image, and shape the genius of this painting with unique painting style.
As early as the 1930s, Zhao Wangyun's "local painting" has aroused great attention in the painting world with its innovative attitude. In his career of artistic creation, he always insisted on painting in the countryside and advocated the sincerity of art. After taking off the right hat in 1962, Zhao Wangyun entered another period of artistic creation. He sketched from all over the northwest and practiced the artistic idea of "taking tradition and life by one hand".
In 1963, Zhao Wangyun accompanied Li Qiming, governor of Shaanxi Province, to inspect farmland construction. The painter sketched out the thick and thick lines of the plateau. The view near the Weihe River said, "no water, just a bridge. The red girl herded the cattle and went home. The front cattle and closely watched the cattle highlight the interest of life. They will be rooted in the loess. Honest and simple Weinan people show the carving.".
Xu Shunzhi, Huang Zhou and Fang Jizhong are the three disciples of Zhao Wangyun. He integrated the life of ethnic minorities with the unique natural scenery of Xinjiang, forming a new pattern different from the traditional landscape painting. Free and easy ink, fresh style, full of life interest.
He Haixia is the general of Chang'an painting school. He often accompanies Shi Lu and Zhao Wangyun to go deep into the border area of Yushan Mountain and experience the magnificent scenery of the Northwest Plateau.
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