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字画批发商分享西北画派的风情代表作

发布人:http://www.hzzhpf.com    发布时间:2019-12-04 11:00:03    

  画家在作品中运用了多种技法,表现出对笔墨的高超驾驭:如藏族的僧袍、黑狗的泼墨造型;女人的躯干、头部和四肢都是用像刀一样雕刻的硬线条画出来的;面、手用淡朱砂平涂;大衣的毛皮、袖口和下摆都用柔韧的线条描绘。上下标题是为了提升形象的品味……黑色与白色的对比,红色的对比,抽象与细节的对比,泼墨的对比,硬线条与软图像的对比,达到格式上的统一与和谐。
  In his works, the painter used various techniques to show his superb control over the brush and ink: for example, the Tibetan monk's robe and the black dog's ink splashing modeling; the woman's torso, head and limbs were all drawn with hard lines carved like knives; the face and hands were painted with light cinnabar; the fur, cuffs and hem of the overcoat were all depicted with flexible lines. The top and bottom titles are designed to enhance the taste of image The contrast between black and white, the contrast between red, the contrast between abstract and detail, the contrast between speckled ink, the contrast between hard lines and soft images, achieve the unity and harmony of format.
  从“长安画派”的形成开始,赵望云奠定了“长安画派”的基石,塑造了“长安画派”的基本特征。他的艺术观点和绘画风格对西安画家产生了潜移默化的影响。
字画批发商分享西北画派的风情代表作
  From the formation of "Chang'an painting school", Zhao Wangyun laid the foundation stone of "Chang'an painting school", and shaped the basic characteristics of "Chang'an painting school". His artistic view and painting style had a subtle influence on Xi'an painters.
  丰富的技法表现人物的兴趣,多变的笔墨服务于画面的主题,服务于真善美的理念。而这些大胆、独创的技术突破,给原本淳朴善良的藏族少女形象,增添了几分奇异和豪迈,用独特的画风塑造了这幅画的天才。
  Rich techniques show the interest of the characters, changeable ink serves the theme of the picture and the idea of truth, goodness and beauty. These bold and original technological breakthroughs add a bit of strangeness and boldness to the original simple and kind Tibetan girl image, and shape the genius of this painting with unique painting style.
  早在20世纪30年代,赵望云的“乡土写生”就以其创新的姿态引起了画坛的极大关注。在他的艺术创作生涯中,他始终坚持下乡写生,倡导艺术的真诚。1962年摘掉右派的帽子后,赵望云进入了另一个艺术创作时期,他从西北各地写生,实践着“一手取传统,一手取生活”的艺术主张。
  As early as the 1930s, Zhao Wangyun's "local painting" has aroused great attention in the painting world with its innovative attitude. In his career of artistic creation, he always insisted on painting in the countryside and advocated the sincerity of art. After taking off the right hat in 1962, Zhao Wangyun entered another period of artistic creation. He sketched from all over the northwest and practiced the artistic idea of "taking tradition and life by one hand".
  1963年,赵望云陪同陕西省省长李启明视察农田建设。画家勾勒出高原厚和厚线,渭河附近视图写道,不画水,只画一座桥,红女孩放牧牛和回家,更前面的牛和密切关注牛突出生活情趣,将根植于黄土,诚实和简单渭南人显示雕饰。
  In 1963, Zhao Wangyun accompanied Li Qiming, governor of Shaanxi Province, to inspect farmland construction. The painter sketched out the thick and thick lines of the plateau. The view near the Weihe River said, "no water, just a bridge. The red girl herded the cattle and went home. The front cattle and closely watched the cattle highlight the interest of life. They will be rooted in the loess. Honest and simple Weinan people show the carving.".
  徐顺之、黄州、方继忠是赵王云在家的三个徒弟。他将少数民族人物的生活与新疆独特的自然风光融为一体,形成了与传统山水画不同的新格局。笔墨洒脱,风格清新,充满生活情趣。
  Xu Shunzhi, Huang Zhou and Fang Jizhong are the three disciples of Zhao Wangyun. He integrated the life of ethnic minorities with the unique natural scenery of Xinjiang, forming a new pattern different from the traditional landscape painting. Free and easy ink, fresh style, full of life interest.
  何海霞是“长安画派”的将军。他经常陪同石路、赵王云深入玉山边区,感受西北高原的壮美风光。
  He Haixia is the general of Chang'an painting school. He often accompanies Shi Lu and Zhao Wangyun to go deep into the border area of Yushan Mountain and experience the magnificent scenery of the Northwest Plateau.
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  The above is the introduction of calligraphy and painting wholesalers. To learn more, please visit the website: http://www.hzzhpf.com