"All artists must be half of poets and craftsmen," said Zhu Guangqian, an aesthetician Young writers should always keep the spirit of literature and position themselves as literary workers and readers, and then as masters of pens, ink and pens. With the poet's feelings, your spiritual world will not be deserted; with the craftsman's spirit, your calligraphy life will not be exhausted. Fifth, be ambitious. As the saying goes: "the generation of Jiangshan, talented people, each leading for hundreds of years." They have many advantages and advantages. They met the best period of material conditions for learning calligraphy. They both had a broad vision and were diligent in learning. They were active in thinking and modest in learning. They were all rooted in tradition and innovation. We hope that the younger generation will carry forward the traditional art of Chinese calligraphy. We also believe that you will be able to support the future of Chinese calligraphy.
I always believe that all good works have quality. What is the product stage? Product is the inherent quality of work. Technology is the core, of course, there are ink, rules and other technical factors to create the work's temperament, charm and charm. Stage is the external form of work. Fit is the key. Everything is in good form. Whether it is elegant, gorgeous or simple, it should be reasonable, comfortable and harmonious. The breath of works is like a person's temperament, and the form of works is like a person's image. If an artist does not know the spiritual connotation of the object he wants to express, how can he create it artistically?
Many authors regard "National Exhibition" as "exhibition" and contribution as "exhibition". They did their best not only in the form of works, but also in the creation of their own skills. Especially in the creation of large character works. In order to pursue the so-called visual impact, many authors are unable to put down the brush and ink, so they use the brush to adopt the deviating techniques, such as "pound", "poke", "wipe", "drag", "scratch" and "wipe", which deviate from the technical core of calligraphy. In the process of writing, many writers always exaggerate the exaggerating technique of writing, thinking that it is to express "temperament", but unconsciously become "Jianghu body" and "Fox Zen".
In the face of the fierce competition in the exhibition, many authors struggle to make rules. In each round of evaluation, some works are rejected due to improper rules. The most common are "headline party", "border party" and "split party". "Titling party" means that every work should use the label to write the title. The label paper is colorful, with various shapes. The inscription is five main bodies, big or small. Some unsuccessful works are too vulgar label colors, improper collocation, some signs are too bad, too big, too small, irrelevant The main form and style of the "border style party" are the author's life and artistic evaluation. If there is no words, find words and complain. This kind of content is mainly about the small words, lines or scripts, which are most fond of medicine. This work is also the least done by judges. The split party is the most willful, whether it's the text or the title, depending on his mood; whether it's Li Bai or Du Fu, if you want to cut it, you can cut it, if you want to cut it, you can cut it.
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